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导演:
/Charles F. Haas
剧情:
斯坦·赫斯(Ray Danton)平日伪装成垮掉派成员,实际却是个连环强奸犯,他对女人恨之入骨,通过强奸的方法来报复女性,每次作案后他都会留下一小盒阿司匹林,因此被称为阿司匹林小子。戴维·卡洛兰警司(Steve Cochran)负责调查阿司匹林小子一案,然而他也有厌女倾向,他认为很多强奸案的受害者并非是真正的受害者,而是主动勾引对方的荡妇,同时因为曾被第一任妻子出过轨,他总是对自己的现任妻子疑神疑鬼,动不动就像审讯犯人一样盘问她。令他出乎意料的是,他的妻子弗兰丝(Fay Spain)居然也成了阿司匹林小子的受害者,并且不幸怀了孕,他和妻子的关系因此而僵到极点,同时他下定决心要抓到阿司匹林小子。阿蒂·贾斯特(James Mitchum)是斯坦·赫斯的帮凶,斯坦为了创造出两个阿司匹林小子来迷惑警察,派贾斯特去强奸乔治亚·阿尔特拉(Mamie Van Doren),然而中途却横生枝节,同时也让警方找到了可以破案的线索。
导演:
/阿伯德拉马纳·希萨柯
剧情:
获奖:2003年布宜诺斯艾利斯独立电影节最佳电影 2003年戛纳影展法国文化奖年度最佳外国导演 2003年戛纳影展“一种注目”最佳电影 介绍:在广阔的毛里塔尼亚沙漠的边缘座落着一个叫Nouadhibou的临海小镇。在那儿,17岁的阿布达拉在移居欧洲前准备去探望母亲。这位忧郁的年轻人觉得自己在家乡格格不入;不会说当地语言;躲避乡村的风俗习惯和传统节日;相比传统服饰,他更喜欢最新的欧洲款式。但是阿布达拉还是融入到这片陌生的环境和当地居民的生活当中。他遇上忧伤而魅惑的娜娜;年长的巧手工玛塔;还有浓眉大眼的乐观小孤儿卡特拉。导演这部充满诗意,摄影优美的电影细致地观察并尖锐地对发展和传统之间的冲突做出尖锐的分析。
导演:
/莫森·玛克玛尔巴夫
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《骑单车的人》是由莫森·玛克玛尔巴夫执导的一部影片,该片讲述在战争期间,许多阿富汗难民纷纷逃到伊朗,但他们每每演绎着悲惨的故事。 《骑单车的人》主人公就是这么一个不幸的阿富汗难民,在伊朗,妻子病重,工作艰辛,备受歧视。为了攒钱治病,老实的男人想尽了一切办法,他接下了一个听起来很荒谬的活:骑单车表演,连续一个星期不能下车。主办者是一个利欲熏心的老板,为了牟利,他请来许多观众,把表演搞得声势浩大。于是小镇所有人纷纷关注起这场表演,下注打赌,俨然在观赏一场盛事……可怜的阿富汗男人在自行车上每天24小时不停的“表演”着,精疲力竭,但为了得到酬金仍然苦苦支撑,忍受着非人的痛苦。到了表演结束的第七天,他已经是一具行尸走肉。
导演:
/琪拉·穆拉托娃
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It is a great film by a great director.Kira Muratova has never been given her due in the Soviet and post-Soviet Russia.In the "Long Good Bye" she depicts a seemingly banal story of a jealous and possessive mother (brilliantly acted by Zinaida Sharko) and her poor aloof and lonely son (the only cinematic role by the talented O. Vladimirsky). The story - which is nothing extraordinary in itself - grows into the wonderful and frightening analysis of alienation between genders and generations on the background of the even more frighteningly bleak and dehumanized Soviet reality.Kira Muratova shows the tiny details of everyday Soviet life,and, again , banal as they are ,they are a hair-raising horror.The dialogue is deliberately laconic and void of any sense, showing the ever-growing people's inability to communicate and understand each other.The sound track ( by another under-estimated talent, Oleg Karavaichuk)adds to the atmosphere of hopeless and meaningless existence.Of course,Sasha (the name of the protagonist),will leave his despotic ( but loving!) mother sooner or later, but where for? (c)
导演:
/Thorold Dickinson
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Twenty years ago, old Mrs. Barlow was killed in her home at 12, Pimlico Square for her priceless rubies. The murderer searched the whole house without finding them, then disappeared. The house has been empty since then, but now Paul and Bella Mallen move into the apartment. Bella Mallen suffers from forgetfulness and nervousness - at least that is what her husband tells her. An elderly horse wrangler, B.G. Rough worked as a policeman twenty years ago and still remembers the unsolved case. He notices that Mr. Mallen looks just like Louis Barre, Mrs. Barlow's nephew. And why does Mr. Mallen so mysteriously leave every night just to go into the apartment next door, nr. 14?
导演:
/彼得·博格丹诺维奇
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洛基(Eric Stoltz 饰)患有基因疾病,自四岁以来头骨不断生长,这让他的面庞硕大怪异,所幸学习能力未受疾病妨碍。嬉皮士母亲弗洛伦斯(Cher 饰)所做的不但是将洛基独力养大,更培养成他乐观的性格。一班摩托骑士朋友围绕在这对母子周围,给予洛基小集体的支持。洛基在九年级学校生涯中很快凭借自己的优秀表现扭转了新同学们对自己的观感,另一方面弗洛伦斯却因生活压力陷入对毒品的依赖,骑士戈尔与儿子的温情让她停止自暴自弃,但逐渐成人的洛基开始为可望不可即的爱情神伤…… 本片获1985年戛纳电影节最佳女演员奖,1986年奥斯卡最佳化妆奖。根据洛基·丹尼斯(Rocky Dennis)的真实故事改编。
导演:
/Radványi Géza
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Somewhere in the remote region, the war ends. In the midst of ruined cities and houses in the streets, in rural hamlets, everywhere where people still live, are children who have lost their homes and parents. Abandoned, hungry, and in rags, defenseless and humiliated, they wander through the world. Hunger drives them. Little streams of orphans merge into a river which rushes forward and submerges everything in its path. The children do not know any feeling; they know only the world of their enemies. They fight, steal, struggle for a mouthful of food, and violence is merely a means to get it. A gang led by Cahoun finds a refuge in an abandoned castle and encounters an old composer who has voluntarily retired into solitude from a world of hatred, treason, and crime. How can they find a common ground, how can they become mutual friends? The castle becomes their hiding place but possibly it will also be their first home which they may organize and must defend. But even for this, the price will be very high. To this simple story, the journalist, writer, poet, scriptwriter, movie director, and film theoretician Béla Balázs applied many years of experience. He and the director Géza Radványi created a work which opened a new postwar chapter in Hungarian film. Surprisingly, this film has not lost any of its impact over the years, especially on a profound philosophical level. That is to say, it is not merely a movie about war; it is not important in what location and in what period of time it takes place. It is a story outside of time about the joyless fate of children who pay dearly for the cruel war games of adults. At the time it was premiered, the movie was enthusiastically received by the critics. The main roles were taken by streetwise boys of a children's group who created their roles improvisationally in close contact with a few professional actors, and in the children's acting their own fresh experience of war's turmoil appears to be reflected. At the same time, their performance fits admirably into the mosaic of a very complex movie language. Balázs's influence revealed itself, above all, in the introductory sequences: an air raid on an amusement park, seen in a montage of dramatic situations evoking the last spasms of war, where, undoubtedly, we discern the influence of classical Soviet cinematography. Shooting, the boy's escape, the locomotive's wheels, the shadows of soldiers with submachine guns, the sound of a whistle—the images are linked together in abrupt sequences in which varying shots and expressive sharp sounds are emphasized. A perfectly planned screenplay avoided all elements of sentimentality, time-worn stereotypes of wronged children, romanticism and cheap simplification. The authors succeeded in bridging the perilous dramatic abyss of the metamorphosis of a children's community. Their telling of the story (the scene of pillaging, the assault on the castle, etc) independently introduced some neorealist elements which, at that time, were being propagated in Italy by De Sica, Rossellini, and other film artists. The rebukes of contemporary critics, who called attention to "formalism for its own sake" have been forgotten. The masterly art of cameraman Barnabás Hegyi gives vitality to the poetic images. His angle shots of the children, his composition of scenes in the castle interior, are a living document of the times, and underline the atmosphere and the characters of the protagonists. The success of the picture was also enhanced by the musical art of composer Dénes Buday who, in tense situations, inserted the theme of the Marseilaise into the movie's structure, as a motive of community unification, as an expression of friendship and the possibility of understanding. Valahol Europaban is the first significant postwar Hungarian film. It originated in a relaxed atmosphere, replete with joy and euphoria, and it includes these elements in order to demonstrate the strength of humanism, tolerance, and friendship. It represents a general condemnation of war anywhere in the world, in any form.
导演:
/彼得·格林纳威
剧情:
彼得·格林纳威1987年作品,英国学院奖最佳编剧、最佳美术指导提名;戛纳参赛片。导演是画家出身,其作品的影像风格自然都是别具一格的色彩斑斓。 美国建筑师Stourley Kracklite和他已经怀孕的年轻妻子Louisa来到罗马组织一个纪念18世纪富于幻想力的法国建筑 师Etienne-Louis Boullée的展览。然而Kracklite却被腹疾所折磨,Louisa则与身为展览赞助者的潇洒的年轻建筑师Caspasian Speckler眉来眼去。电影有个特别的焦点,肚皮——建筑师生病的肚皮和妻子怀孕的肚皮,圆滚滚的形状直让人想起Boullée设计的那些圆顶建筑……
导演:
/艾伦·帕克
剧情:
故事发生在1964年的6月,一辆载有三位民权主义者的车辆被三K党所劫持,之后一行人音信全无。鲁帕特(吉恩·哈克曼 Gene Hackman 饰)和艾伦(威廉·达福 Willem Dafoe 饰)是两帮调查局的探员,他们被指派调查这起恶劣的事件,然而,当两人到达小镇开始调查时,却发现他们的工作遭遇了重重的困难,没有人愿意相信他们,更没有人能够提供有价值的线索。 皮尔(布拉德·道里夫 Brad Dourif 饰)是小镇的副镇长,同时亦是一名坚定的三K党成员,个性粗暴邪恶的他常常将软弱温和的妻子(弗兰西斯·麦克多蒙德 Frances McDormand 饰)揍得遍体鳞伤。鲁帕特十分同情皮尔妻子的遭遇,随着时间的推移,皮尔的妻子渐渐对鲁帕特产生了感情,这让鲁帕特和艾伦看到了案件的突破口。
导演:
/汉尼·阿布-阿萨德,斯戴芬·阿森尼叶维克,阿伊达·贝吉奇,Josefina Markarian,Eric Nazarian,Stergios Niziris,奥玛尔·沙加威
主演:
/内详
剧情:
Six acclaimed foreign directors will shoot short films about Istanbul. "Unutma Beni Istanbul" ("Do Not Forget Me Istanbul") is part of a project carried out within the scope of the city being European Capital of Culture 2010.
导演:
/莫洛·鲍罗尼尼
剧情:
故事发生在意大利的卡塔尼亚,安东尼奥(马塞洛·马斯楚安尼 Marcello Mastroianni 饰)生得一副英俊的面孔,是小镇里有名的花花公子。许多姑娘被他的传闻撩得心痒痒,慕名而来希望成为他的妻子。最终,安东尼奥选择了名为芭芭拉(克劳迪娅·卡汀娜 Claudia Cardinale 饰)的女子,两人携手步入了婚礼的殿堂。 结婚之后,芭芭拉才发现自己的丈夫外强中干,实际上是个性无能,感觉受到了欺骗的芭芭拉决定离开安东尼奥。为了保全儿子的颜面,安东尼奥的父亲做了许多的荒唐事,并且最终死于非命,而安东尼奥却在无心插柳的情况下,成功的令家中的女仆怀孕。
导演:
/Iwan Roberts
剧情:
这部纪录片标志着莫尔斯探长史诗故事的结束,这位著名的牛津侦探闻名世界。从最初的《莫尔斯探长》(1987-2000),到衍生剧《刘易斯》(2006-2015),再到十年后的《奋进》系列,探索了20世纪60年代英国侦探的背景故事,莫尔斯探长的故事终于要结束了。通过对所有主要演员的采访,我们探索了这个牛津犯罪宇宙的巨大全球吸引力。在《奋进》最后一季的拍摄过程中,我们来到了幕后,因为他们把60多年相互关联的情节联系在一起。女演员阿比盖尔·肖,莫尔斯星的女儿约翰·肖透露了她是如何成为“奋进”剧组的常客的。主演《奋进》的肖恩·埃文斯(Shaun Evans)探索了他从把侦探的起源带到生活中,到他最近导演剧集的挑战。原著摩尔斯侦探剧演员凯文·惠特利回忆了这部热门侦探剧对他职业生涯的巨大影响。当这部剧接近尾声时,《奋进》的所有演员和工作人员都在思考这部以60年代英国为背景的电视剧的丰富吸引力,他们也为这个史诗般的故事画上了句号。
导演:
/David Frankel
剧情:
专栏作家凯莉(萨拉·杰西卡·帕克 Sarah Jessica Parker 饰)、公关经理萨曼莎(金·卡特拉尔 Kim Cattrall 饰)、律师米兰达(辛西娅·尼克松 Cynthia Nixon 饰)还有理想主义者夏洛特(克里斯汀·戴维斯 Kristin Davis 饰)是生活在纽约曼哈顿中的四位时尚女性。她们之间有着坚固的友谊,却有着各自的个性。不同的性格带领她们走向不尽相同的生活方式,她们自知自己已不再年轻,周旋在各式男人身边寻找情欲。她们不过是想在那个忙碌且充满欲望诱惑的城市里,努力寻找自己的真爱。现实让她们一次次落空,借着友谊的力量继续向着自己的理想往前走。
导演:
/康拉德·卢克斯
剧情:
Hauntingly Beautiful This film is stunning in its beauty. The music is transcendent. For the longest time I tried to get the soundtrack. To save you the trouble, be aware that they never made one! There is one scene in which a woman blows on a shell that was so powerful I still remember 30 years later. Mesmerizing. If you have not seen it yet, rent it today.
导演:
/康拉德·卢克斯
剧情:
Hauntingly Beautiful This film is stunning in its beauty. The music is transcendent. For the longest time I tried to get the soundtrack. To save you the trouble, be aware that they never made one! There is one scene in which a woman blows on a shell that was so powerful I still remember 30 years later. Mesmerizing. If you have not seen it yet, rent it today.
导演:
/Giuseppe Bennati
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Patrick Davenant invites a group of friends to visit a theater inside his villa, a place which later reveals itself as sinister. Within a short time, the guests realize that they are trapped in the villa. A merciless killer then begins to murder them one by one.
导演:
/罗伯特·斯蒂文森
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叙述一位英国绅士Anthony Ross 爵士为了寻找失踪多年的儿子,于是他筹组了一支探险队展开行动,他的儿子当初是去寻找北极一带火山谷一个传说中的古老维京人部落,结果从此音讯全无,心急如焚的父亲因此才想尽办法组织探险队进行搜寻任务,这支队伍包括一位美国籍的考古学家、一位法籍发明家、一位追踪者以及英国企业家等等,当他们逼近目的地的时候,却意外闯入一个被时间遗忘的失落世界!这世界里有仍过着十世纪生活的维京人、火山爆发、鲸鱼墓场…等等,在这一连串的冒险当中,面对希望秘密永远被埋藏的那一群维京人,探险队面临到很难全身而退的危险局面!
导演:
/达尼埃尔·于伊耶,让-马里·斯特劳布
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法国导演情侣组合斯特劳布-于伊耶与1991年将索福克勒斯的希腊悲剧《安提戈涅》搬上银幕,文本上采用了德国浪漫主义诗人荷尔德林的著名翻译,版本上则依照布莱希特40年代的改编,拍摄地点是西西里岛上塞杰斯塔的一座古罗马剧院遗址,拍摄时阳光明媚。影片背后文本的多层厚度赋予了本片以极强的现时性:就在拍摄当年的夏天,美军对伊拉克发起了第一轮进攻。这是一部关于教育公民不服从的作品。