Ib
搜索"Ib"，找到456部影视作品
导演：
/菲尔·乔安诺
剧情：
远赴波士顿闯荡多年的泰瑞（西恩·潘 饰），在一场黑市交易中，因不慎开枪杀人，惹出祸端。为了寻找蔽身之处，他重回他的故乡，并且寻求儿时好友杰克与史提威的协助，随后他也在杰克之兄法兰克（艾德·哈里斯 饰）的安排下进入地方帮派，并且与往日情人凯特（罗宾·怀特 饰）重续旧情........。 然而正当他们沉溺于往日回忆之时，杰克与史提威却相继惨死于非命，难掩心中悲恸的泰瑞，在良心谴责之下，向凯特透露出卧底警察的秘密身份，虽然不能得到凯特谅解，但为了寻找谋杀好友的真凶，泰瑞不顾一切，进行一连串的秘密调查，但一切矛头却都指向........。 本片可说是素有影坛「坏孩子」之称的西恩·潘，与目前分居妻子罗宾·怀特首次携手合作的电影。片中不仅卡司坚强，并且细腻呈现出卧底警察内心世界的挣扎，是一部黑色属性的电影，值得令人深入探讨.....。
导演：
/Abbas Alibhai Burmawalla,Mastan Alibhai Burmawalla
剧情：
《生死竞赛2》是一部由亚尼·卡普、赛尔夫·阿里·汗、约翰·亚伯拉罕等印度明星主演的动作片，故事和2008年的第一集保持延续，场面更加火暴，视觉效果也更具冲击力。这套动作片可谓打破了宝莱坞电影“帅哥美女加歌舞升平”对于观众的印象，也是印度年度的动作巨制，在印度本土受到了极大的欢迎。而片商对本片的全球市场也颇具信心，因而和其他几部宝莱坞大作一样，《生死竞赛2》也选择在北美同步上映，也显露出了印度电影“走出国门”的自信。本片上周在全球5个地区开画，首周票房1439万美元，排在全球票房榜第七位。 《生死竞赛2》可谓集齐了所有商业大片的元素，性感美女、猛男帅哥、激情歌舞、浪漫爱情、计谋复仇、火爆枪战、急速飞车、街头格斗、疯狂跑酷、无间道，计中计，相信你看完之后，会对印度电影有一个全新的认识。
导演：
/Vikramaditya Motwane
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1953年，年轻的考古学家Varun Shrivastav来到印度Manikpur的一个村庄探索古庙并住在当地一位地主的家里。地主的女儿Pakhi爱上了这位举止优雅的年轻考古学家，二人很快大得火热。但Varun最后还是做出了选择，他不辞而别离开了地主女儿Pakhi。Pakhi郁郁寡欢决定忘记他开始新的生活。直到有一天，当二人在机缘巧合下重逢，心碎、背叛、救赎大戏渐渐拉开大幕。就如最精彩的欧·亨利小说《最后一片叶子》中写的那样，世事无常，猜得到开始，想不到结尾。
导演：
/奥斯汀·奇克
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莎拉（丹妮尔·帕娜贝克 Danielle Panabaker 饰）是一个单纯到有些天真的女孩，陷入了和有妇之夫泰瑞（安德鲁·霍华德 Andrew Howard 饰）的情感纠葛之中。然而，让莎拉没有想到的是，一天，泰瑞竟然在毫无征兆的情况下将她残忍的抛弃了。莎拉的同事露（妮可·拉里贝特 Nicole LaLiberte 饰）不忍心看到好友如此难过，于是把她带到酒吧买醉，在那里，两人邂逅了名为西蒙（迈克尔·斯达-大卫 Michael Stahl-David 饰）的男子。 让莎拉没有想到的是，看起来彬彬有礼风度翩翩的西蒙实际上是一个禽兽，他借着送醉酒的莎拉回家在莎拉的家门口将她强暴了。愤怒的露设计偷到了一把手枪，她要带着莎拉向两个男人寻仇。
导演：
/Tibor Takács
剧情：
国际大都会美国纽约，当地居民正享受美好的午后时光，殊不知前所未有的危机正向这座城市逼近。中央公园的草地上，人们欢声笑语，悠闲自在，突然草地中央出现一个小旋风。孩子们追逐着它恣意玩耍，然而短短几秒钟过后，旋风风力加强，一名普通人因此丧命。同一天，一架小型飞机着陆前遭遇强风坠毁。纽约市政府高度关注此事，监控随时可能到来的灾难。但是他们显然低估了强风暴的力量，纽约遭受最为惨烈的摧残。青年消防队员布赖恩·弗林（Colby Johannson 饰）及其女友、气候学家凯西·劳伦斯博士（Nicole de Boer 饰）以及千千万万的纽约人，经历着前所未有的灾难考验。 纽约，危在旦夕……
导演：
/瓦尔迪马尔·约翰松
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“Lamb” is the story of a childless couple, María (Rapace) and Ingvar, who are sheep farmers in Iceland. On Christmas Eve they find a newborn who is half human, half sheep. Longing for a child of their own they decide to keep the lamb-child and raise it as their own regardless of the consequences.
导演：
/Huan Vu
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Arkham, 1975: Jonathan Davis' father has disappeared. His tracks lead to Germany, to the Swabian-Franconian Forest where he was stationed after the Second World War. Jonathan sets out to find him and bring him home, but deep in the woods he discovers a dark mystery from the past. Based on H.P. Lovecraft's short novel "The Colour Out of Space". brutashell review - 'Filmed in black and white and primarily spoken in German, it is obvious that Die Farbe did not have a huge budget to work with. Effects are minimal and the cast is utterly unknown. I should point out that these are all good things, and work very much in the film's favour. There is no CGI to rely on, no name actors to carry it. Rather, the filmmakers do the unthinkable: they create a genuine atmosphere of unimaginable dread and unspeakable horror, using shadow, suggestion and rare splashes of that Nameless colour in a few select frames. In short, they did a damn good job. Die Farbe is subtle in its mounting horror, nurturing a dark dread deep in your bowels with every shot. All of the best and most stomach-turningly distressing films I’ve ever seen have come out of Germany: M, The Cabinet Of Dr. Caligari, The White Ribbon, and now this one. Leave it to the Germans. We know how to gross you out on the deepest psychological levels. Lovecraft worshippers and devotees of German Expressionism alike, take heed: seek out and view this film at your earliest possible convenience. It’s a dark, noisome little gem that will squirm into your subconscious and lay its eggs in your sanity. Hey, not everyone gets the honour of being a host organism for the Elder Gods, you know.'
导演：
/Ross MacGibbon
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剧情：
奥杰塔（Uliana Lopatkina 饰）是一位美丽的公主，一场意外中，她不幸的被邪恶的魔王罗特巴尔特变成了一只天鹅。王子齐格弗里德在成人仪式中看到了变成天鹅的奥杰塔，于是追随着她的身影来到了湖畔，奥杰塔以天鹅的姿态默默向王子倾诉着自己的哀怨，王子深深的爱上了奥杰塔，他决定要用自己真爱的力量令奥杰塔变回人形。 齐格弗里德的生日宴会上，罗特巴特带着自己的女儿奥吉莉娅前往庆贺，奥吉莉娅有着和奥杰塔一模一样的样貌，鬼迷心窍的齐格弗里德和奥吉莉娅订下了婚约。很快，王子就知道自己中了恶魔的诡计，他找到了奥杰塔，请求后者的原谅。
导演：
/乌斯曼·塞姆班
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古老广袤的非洲大陆，千百年流传着一个极其残酷的习俗，这里的女孩长到一定年龄时就要接受割礼。所谓割礼，即割除女性部分或者全部的阴核以及小阴唇，再用一般针线或者荆棘缝合。全程没有任何麻醉和消毒措施，受礼者痛苦至极，且要承受着破伤风感染、艾滋病传染甚至丧命的危险。 克里（Fatoumata Coulibaly 饰）是一位聪明贤良的女性，她对年轻时接受割礼的痛苦经历记忆犹新，而且在接下来的几十年里，她无时无刻不在承受着伤口为精神和肉体带来的双重折磨。克里不愿女儿再承受这般磨难，于是不顾一切阻止女儿接受割礼。她的举动遭到村里人的质疑和职责，来自周遭的压力越来越大…… 本片荣获2004年戛纳电影节天主教人道精神奖的特别提名奖和一种关注奖、2005年马尼拉国际电影节最佳女主角（Fatoumata Coulibaly）。
导演：
/Marie-Louise Iribe
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剧情：
演而優則導的瑪莉路易斯‧依莉貝以令人驚豔的光影戲法改編德國文學與音樂中的經典作品《魔王》。導演一方面結合自然場景、歌舞疊影與特技攝影，成功地詮釋歌德敘事詩中的奇幻想像；另方面也巧妙地運用蒙太奇式的剪輯手法，體現舒伯特藝術音樂中充滿動態感的創作調性。依莉貝以懸疑、獨特的視覺語彙成為開創法國有聲電影史新頁的代表人物之一。
导演：
/Jadesola Osiberu
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这部动作犯罪惊悚片由尼日利亚演员 Tobi Bakare、Adesua Etomi-Wellington主演。这张以一群儿时的朋友为中心，他们每个人都在该国最大城市拉各斯的繁华街道和街区长大。
导演：
/路易斯·布努埃尔
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剧情：
因争风吃醋被关入监狱的加林多•拉米列斯（豪尔赫•内格莱特 Jorge Negrete 饰）与同伴越狱来到何塞•恩里克（佛朗西斯科•加姆布里那 Francisco Jambrina 饰）的油田打工赚钱。何塞•恩里克因拒绝将油田卖给当地的垄断石油公司，在大赌场的老板埃尔（阿方索•贝多亚 Alfonso Bedoya 饰）和舞女卡米利亚（茉荷•芭尔芭 Meche Barba 饰）的陷害下神秘失踪。何塞•恩里克的妹妹，歌手默西迪丝（丽贝塔•拉玛克 Libertad Lamarque 饰）从阿根廷前来探望兄长，在得知噩耗后化名潜入大赌场调查真相，却与油田的新晋管理加林多产生了误会。二人能终释前嫌共同对抗垄断石油公司吗？ 本片是路易斯•布努艾尔沉寂15年移居墨西哥后所拍摄的第一部电影。
导演：
/卡尔·西奥多·德莱叶
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The history of Danish country church architecture is told by showing scenes of how the church was used by the congregation, beginning with the celebration of mass in a small and simple wooden church 800 years ago, and ending with the congregation singing in a village church of to-day. The development and the growth of the pattern of church architecture is shown. Dreyer in this film shows a series of churches from different periods with churchgoers in period clothing. Each period is separated by a shot of a church bell double-exposed on the sky. Although the film has a vibrant and instructive way of communicating the different epochs and styles to students, it does not exhibit the artistic quality that usually distinguishes a Dreyer film, except perhaps in some of the costumes, which were originally made for Day of Wrath. The board of Dansk Kulturfilm in autumn 1945 decided that their planned church film would exclusively be about village churches. Dreyer would rework the script that was written by editor and folk high-school principal Bernhard Jensen, aided by a committee of experts consisting of architect H. Lønborg-Jensen and Victor Hermansen, curator at the National Museum of Denmark. Dreyer had a first draft ready in mid-March, entitled Kirken er et gammelt Hus ("The Church Is an Old House"), which was distributed to the members of the committee for their comments. In the last half of July, Dreyer and Victor Hermansen travelled the country to look at suitable churches. They researched the details and at Dreyer’s request a number of technical changes were made to the churches, including the removal of porcelain holders for electrical wiring in Tveje Merløse Church. On 4 July, Dreyer went in advance to Ringkøbing. Shooting was set to start a few days later with the arrival of the director of photography, Preben Frank, who had fallen off a ladder and broken his leg, Fortunately, he was ready to cautiously start working again within a few days, with his leg in a cast. Otherwise, the production went without a glitch. Everywhere, Dreyer said, they were well received at the vicarages and they had no problem getting enough extras. On 1 august, they returned to Copenhagen with almost all their footage in the can. They only needed to film the church in Skelby, where the weather had been against them, plus a Swedish wooden church in Hedared. The economy was distressed so soon after the war, especially when it came to foreign currency, but there were no real wooden churches left in Denmark and building an interior set in the studio would be too expensive. The finished film was shown for the first time on 24 September 1947 to a small, closed circle, which included the Minister for Ecclesiastical Affairs. In December 1947, as was Dansk Kulturfilm’s standard practice, the film was presented to the press, politicians and others on a programme with four other short films.
导演：
/英格玛·伯格曼
剧情：
在1946年，神情不安的芭蕾舞演员Rut陪伴他的丈夫Bertil结束了环意大利的学术访问，回到了瑞典。他们在巴塞尔(瑞士西北部城市，在莱茵河畔)的旅店房间里和火车上发生了争吵，他们把食物扔给了窗外饥饿的德国难民。无意间，他们听到了几个瑞典牧师关于婚姻的几句妙语，最终他们两人重修和好…… 在电影主题方面他延续了伯格曼早期电影当中性别对抗以及对婚姻关系的质疑。Rut和Raoul交往的失败以及所导致的不育是剧中关系网的死结，而她后来和丈夫Bertil的结合又产生了Bertil原来的情人Viola的悲剧，这所有一切扭结在一起就像漩涡吞没了生活中的激情。当时伯格曼和她第二任妻子Ellen闹离婚，本片可看作是伯格曼对婚姻的自况。 还有很重要的一点是，《三》是伯格曼早期电影的新尝试，这部电影并不是由故事情节进行推动，而是用人物的心理状态作为电影内部节奏起承转合的离合器，密闭的车厢为人物的情绪主导发挥提供了大舞台。这为他后来更深入的探索奠定了基础。
