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导演:
/R·J·卡特勒,David Furnish
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回顾传奇摇滚巨星埃尔顿·约翰50年来的音乐生涯。从缔造无数舞台传奇,到陷入痛苦低潮,经历挣扎蜕变后,成为音乐界传奇巨星。
导演:
/최효진,정우영
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《Show Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出,将展现个性强烈的Rapper们更加火热激烈的博弈……
导演:
/Fuse Kittisak Cheewasatjasakun
剧情:
生活就像被囚禁在一座以前看不见的监狱里,当这种情况发生时,我将永远不会允许任何人再次强迫我入狱。 阿尼尔派特公主和皮兰蒂塔公主从小就是皇宮的玩伴。 阿尼尔是一个淘气的女孩,她渴望了解自己所怀疑的一切事情,聪明而又不会停滞不前,总是为自己寻找学习的机会。 即使有一些伤害(比如拿起槍或逃离工作,因为好奇而尝试)。 相反,兰蒂塔有礼貌、讲究整洁和遵守严格的规则,因为一旦违反这些必定会受到责骂和抱怨,因此总是需要治疗伤口以消除疼痛。 但总有一天,她们会分开的。 阿尼尔会像她哥哥一样出国留学。 她们在宫殿里的关系会如何发展? 她们还会再次见面吗? ~~改编自孟梅(ม่อนแมว).)的小说《品法》(ปิ่นภักดิ์)
导演:
/梁祥胜
主演:
/叶振弘
剧情:
香港男生常常被女友投訴不解風情,總是安排不到一個完美的約會!尤其對於沒有太多戀愛經驗的男生,要安排一個讓女生滿意的約會簡直是難過登天!節目將會介紹城中人氣約會地點及餐廳,並摸擬戀愛實況,提供約愛秘訣,救救各位可憐的男生!
导演:
/Daniel Reisinger
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A funny, touching exploration of fidelity, strength, and the lengths we go to honour our commitments. When Gemma’s (BAFTA winner Aisling Bea) American fiancé (Emmy nominee Colin Hanks) dies shortly before their wedding day, she decides to marry him anyway, facing public opinion, legal challenges, and family objections. With funny and moving performances, Daniel Reisinger’s romantic comedy is an unconventional celebration of love ‘till death do us part’.
导演:
/Andy Mikita
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《星际之门:宇宙(Stargate Universe)》的设定是人类在成功揭开星际之门第九个符号的秘密之后,一组探险队员被传送到荒废已久的古人飞船 "命运号" 上。这艘飞船是古人在其文明达到顶峰的时候建造的,它是古人的一次重大实验,承载着一项重要任遗憾的是,这个实验始终未能完成。 探险队员很快发现他们被困在了 "命运号" 上,无法通过原路返回地球。他们只有登上 "命运号",向未知的宇宙深处出发。一路上,船员们将与古人先前向宇宙发射的星际之门一一取得联系,实现 "命运号" 最初的任务。这些星际之门在 "命运号" 被建造之前几个世纪就已被安放好了,"命运号" 能与其航向同步的时间窗口很短。一旦错过了其中一个,回头再找已经很困难了。此外,"命运号" 在旅途中还将遇到无数新的种族、敌人和奇闻趣事。
导演:
/瑞恩·墨菲
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Ryan Murphy dropped a teaser for a new series titled Grotesquerie in an Instagram post (see it below) on Friday. According to the post, it will star Niecy Nash-Betts — who has worked with Murphy several times before and is coming off an Emmy win for Monster: The Jeffrey Dahmer Story — Courtney B. Vance and Lesley Manville and is set to premiere in the fall. The teaser features Nash-Betts’ voice, sounding very disturbed about a crime scene: “I don’t know when it started. I can’t put my finger on it. But it’s different now. There’s been a shift. It’s like something’s opening up in the world — a kind of hole to the center of nothingness. What I saw today — they sent shrinks for everyone who worked this crime scene. You think, ‘Well hon, evil has always existed,’ and cite some statistic about how the world’s getting better, less murder, more help, less global horror, never been a better time to be alive, honey.” Her voice cracking, Nash-Betts (or rather, her character) concludes by saying, “Come back. It’s not getting better. And I keep needing to hear your answers, because something’s happening around us, and nobody sees but me.”