sky
搜索"sky"，找到182部影视作品
导演：
/瓦妮莎·罗斯
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Netflix四集纪录片，五个来自印度最低种性的女孩，在一家为她们提供14年免费教育（2年学前+12）的住宿学校的成长过程。 算了一下，断断续续拍了八九年，有的从学前班跟拍到初中，有的从初中跟拍到进入社会工作。这所叫做Shanti Bhavan 的学校，创办人是一个美籍印度商人，在49岁的时候，也就是1997年，决定回到印度，为当地最穷的家庭建一所学校。这些有机会获得免费教育的孩子，有一个责任，那就是找到工作后，必须帮助自己的家庭和社区，而不是一走了之。 这些孩子的成长是充满了矛盾的，不断在安全稳定的学校和贫困的家庭环境中转换，在现代价值和印度传统价值中挣扎，从而塑造一个独立的自我。虽然是免费教育，对于这些家庭来说，要相信自己的孩子，在14年，甚至17年（加上3年大学，也是由这所学校支付学费）后可以帮助改善家庭，也是一个漫长的投资。虽然印度很穷，充满不平等，还有各种让人觉得匪夷所思的风俗，（比如其中一个女孩，她的祖母一直等着她长大嫁给她的儿子，也就是女孩的叔叔。因为有了接受教育的机会，女儿拒绝了祖母的要求，现在她已经成为一名记者，出了一本书），但在印度，民间可以专心办一所这样的学校，除了经费，不用担心其它，可以让这些孩子的教育过程不被中断。这所学校是混合教育，之所以纪录片把镜头对准女孩，是因为她们除了种姓，还要面对性别带来的不公平。
导演：
/Garfield Carrott,Max Longton-Lockton,Erin McPartland,Emma Kosminsky,Ben Potts,Robin Trump
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10 aspiring make-up artists compete as the hit BBC Three series returns. First up, they are asked to work on an advertising campaign for JD Sports. The creative brief is based on their identity.
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/최효진,정우영
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《Show Me The Money》制作组新的原创综艺《Rap:Public》K-嘻哈选秀节目通过流媒体平台TVING播出，将展现个性强烈的Rapper们更加火热激烈的博弈……
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/里奇·斯坦恩,安妮·桑德博格
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Documentary about several survivors of the Boston Marathon Bombing which took place April 15, 2013.
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/Aleksey Nuzhnyy
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A heroic story about firefighters and rescuers. What we call an act of bravery is just a usual routine for them, if only one can get used to mortal danger and extreme risk. When people in distress seem to have nobody who may help them, rescuers come to fight against merciless forces of nature.
导演：
/米切尔·莱森
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Because I could not stop for Death, he kindly stopped for me; the carriage held but just ourselves and immortality” – Emily Dickinson If Death took a holiday, the guns would go silent in Iraq, the slaughter on our nation’s highways would cease, and the news media would be compelled to cover positive events in the humanities, arts, and sciences. Unfortunately, Death has not had a vacation in recorded history, but Mitchell Leisen’s 1934 fantasy, Death Takes a Holiday, allows us to consider the possibility. Co-written by Maxwell Anderson and Gladys Lehman and based on the play "La Morte in Vacanza" by Alberto Casella, Death Takes a Holiday stars Frederic March as the Grim Reaper who takes on human form in an attempt to discover why men fear him so much. Why he has waited 5,000 years to satisfy this curiosity is not explained. [Spoiler] After a brief tryout as a shadowy figure who scares the daylights out of those that cross his path, Death shows up at, of all places, an upscale party at an Italian villa, posing as the mysterious Prince Sirki. Only one person knows who he really is, the host Duke Lambert (Guy Standing), and he is sworn to secrecy. Sirki proceeds to fascinate the guests. Given to bursts of wit and poetry, he can just as quickly turn sullen and threatening, and some soon find out that it is better not to look too deeply into his eyes. During the three days in which the Prince is at the villa, however, people all over the world miraculously escape death and potential suicides are doomed to frustration. To see what’s behind all the conversation about love, the suave but naïve Prince Sirki falls for the irresistible Grazia (Evelyn Venable), the daughter of one of Duke’s friends. Grazia knows who Death is but does not fear him, much to the chagrin of her fiancé, Corrado (Kent Taylor) who has developed a strong disdain for Prince Charming. More sinister than Brad Pitt in the 1998 remake Meet Joe Black, March turns in a very convincing performance as the creepy yet strangely appealing guest. Although the ending is melodramatic, the emotions are very real and the suggestion that Death may in reality be a friend disguised as a foe is quite touching. (Howard Schumann, talkingpix.co.uk) In this wearisome and predictable plot line, Death falls in love and bores us to death talking about it. (Dennis Schwartz, homepages.sover.net) I've heard DRACULA was advertised with the tag line "The Weirdest Love Story ever told!" (this is probably a paraphrase), but at heart, I've never felt that you could honestly call that movie a love story. The tag line would be much more appropriate for this one, since it ultimately boils down to what amounts to a love story. This movie is very good indeed, particularly if you consider that it is built around a concept that could have easily been handled in a cute or facile manner. Instead, it is handled as seriously as possible, with some real thought put into how death would try to come to terms with a life and an outlook that was to that point totally unfamiliar to him; much of the credit does go to Fredric March in the title role. It's quite scary when it needs to be, particularly during the first twenty minutes. From then on, it deals with its themes with subtlety, a quiet wit, an enduring sadness, and an everpresent tension on how Death might react if crossed. It's not perfect; some of the dialogue is self-conscious and artificial, as if the writers knew they were dealing with weighty issues and were trying to be profound. But I am certainly glad they didn't try to turn it into a musical comedy of sorts. (Dave Sindelar, scifilm.org) See also the remake: Death Takes A Holiday (1971)
导演：
/Caye Casas,Alejandro Damiani,Andrew Desmond,Carlos Goitia,Mat Johns,达米安·莱韦克,文森特·帕兰德,阿尔伯特·平托,Denis Walgenwitz,Hendryk Witscherkowsky,Adam O'Brien,Nicolás Onetti
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Brandon prepares to give his last stand-up comedy show. As his stories and jokes pass, the public begins to cheer up. But at that precise moment Brandon will realize that these stories have a strong relationship with his past. More than he imagines.
